『飛翔VI-天空昇」深圳市、中国
Perpetual Flight -VI- Rising to the Firmament
Stainless Steel, White Granite Base
3.5 meters
Shenzhen Museum of Art
Shenzhen, Guandong, China
2003
Stainless Steel, White Granite Base
3.5 meters
Shenzhen Museum of Art
Shenzhen, Guandong, China
2003
飛翔V 天空昇
ステンレス・スチール, 白花崗岩
3.5 m
深圳美術館
深圳市, 広東省, 中国
2003
日中平和友好条約締結25周年記念
ステンレス・スチール, 白花崗岩
3.5 m
深圳美術館
深圳市, 広東省, 中国
2003
日中平和友好条約締結25周年記念
His energized signature forms now assume more biomorphic configurations which increase their reflective power and generate unlimited spatial relationships. Noda’s interest in luminism will contribute to generating the monument’s infinite spatial associations.
Robert S. Bianchi
Press/Media
- “Monument to China.” Chugoku News (Hiroshima), Dec. 16, 2003.
- Zymarakis, George. “Masaaki Noda.” Gallery Guide (Athens Greece), April 2004. p. 36.
- “To be Symbol of Museum in China.” Sankei News (Hiroshima), Dec. 7, 2003.
- Kawamoto Etsuko. “Art Connect Nations.” Parkway no. 107 (Kure, Hiroshima), January-March, 2004. p.8.
