“Gale Flash Back” Hiroshima, Japan 2011

「疾風ーフラッシュバック」 広島市

Like Brancusi’s birds, Noda’s vital sculptures, which have an uncanny creatureliness, are inherently abstract, suggesting that reality can be analyzed into an idea that is independent of it—the idea of movement, for example—which, nonetheless, seems to distill its essence.

Donald Kuspit, Professor of Art History, Stony Brook State University,”The Airborne Gesture: Masaaki Noda’s Sublime.” p.76.

Press/Media

• Kawamoto, Etsuko. “Art Connected the World.” Parkway no. 136 (Kure, Hiroshima), April-June, 2011. p.8.
• Nakano, Kan. “Unveilling Sculpture in Hiroshima City.” Asahi News (Hiroshima), March 26, 2011.
• “Noda’s Work at Sculpture Park.” Chugoku News (Hiroshima), March 26, 2011.